Anne Karine Thorbjørnsen
Studier av draperiet
19—28/08/2021
Anne Karine Thorbjørnsen
"Blå", 2021, kamstål, betong, skumplast, polyester, bomull, lycra, knappenåler
195x95x45cm
45 000NOK
Anne Karine Thorbjørnsen
"Blå", 2021, kamstål, betong, skumplast, polyester, bomull, lycra, knappenåler.
195 x 95 x 45 cm
45 000NOK
Anne Karine Thorbjørnsen
"Tekno", 2021, kamstål, betong, skumplast, bondeweb, polyester, silke, nylon strips, knappenåler.
175 x 200 x 165 cm
45 000NOK
Anne Karine Thorbjørnsen
"Brud", 2021, kamstål, betong, skumplast, opp-sprettet ballkjole, knappenåler, spraymaling.
110 x 65 x 30 cm
Solgt
Anne Karine Thorbjørnsen
"Portal", 2021, kamstål, betong, polyester, lycra, nylon strips, knappenåler.
215 x 175 x 70 cm
45 000NOK
Anne Karine Thorbjørnsen
"FFolds", 2021, kamstål, betong, skumplast, bondeweb, polyester, viskose, nylon strips, maljer, ståltråd, knappenåler.
220 x 210 x 130 cm
50 000NOK
Anne Karine Thorbjørnsen
"FFolds", 2021, kamstål, betong, skumplast, bondeweb, polyester, viskose, nylon strips, maljer, ståltråd, knappenåler.
220 x 210 x 130 cm
50 000 NOK
Anne Karine Thorbjørnsen
"Rød", 2021, kamstål, betong, lycra, strikkepinner, nylon strips.
155x40x30cm
Solgt
Anne Karine Thorbjørnsen
Anne Karine Thorbjørnsen
"Trad", 2021, kamstål, betong, skumplast, polyester, viskose, lycra, nylon strips, plast, spray maling, knappenåler .
215 x 175 x 95 cm
45 000 NOK
Anne Karine Thorbjørnsen
"Trad", 2021, kamstål, betong, skumplast, polyester, viskose, lycra, nylon strips, plast, spray maling, knappenåler.
215 x 175 x 95 cm
45 000 NOK
Anne Karine Thorbjørnsen
"Slør", 2021, kamstål, betong, polyester, bomull.
260 x 130 x 65 cm
30 000 NOK
Anne Karine Thorbjørnsen
"Husmorkunst", grå, 2021, kleshenger, betong, viskose metervare klippet i strips og håndsydd sammen for så håndstrikket.
55 x 40 x 25cm
18 000NOK
Anne Karine Thorbjørnsen
"Husmorkunst pastell", 2021, kleshenger, betong, bomull metervare og skjorte klippet i strips, håndsydd, for så håndstrikket.
50 x 40 x 45 cm
16 000NOK
«Good. So let’s try to identify… We just created a few guideposts on the level of the Baroque, you see? We move forward just a bit. What does it mean to create folds? [
Sound of Deleuze’s chair; he goes to the board] I can say – let’s have a break here -- you see, creating folds is what? Well, it’s rounding off angles, creating folds. We are not very far into this, but that’s it: to round off angles, but you sense that we have to change this expression for many things. Rounding off angles, hmm, this is whatever you want, but among other things, it’s possible that this is a mathematical operation. It’s possible that this could have lots of outcomes. How… Can you round off angles in math? Perhaps you can. Perhaps Leibniz never stopped rounding off angles. He was a great mathematician, so he was capable of doing that. So, we just say, here we are, the Baroque, you see, how does it create folds? By undertaking a treatment in bulk, and this treatment in bulk undertakes this by rounding off angles, by constituting [forms of] soft matter.»
Gilles Deleuze, Seminar on Leibniz and the Baroque -- Leibniz as Baroque Philosopher, Lecture 01, 28 October 1986: Introduction: Pleats and Folds, Transcribed and Translated by Charles J. Stivale
Anne Karine Thorbjørnsen (f. 1982) bor og arbeider i Elverum. Kjernen i hennes praksis er draperiet. Gjennom sine arbeider utfordrer hun de tradisjonelle ideene og samtidens illudering av det feminine ved å utfordre estetikken, bruken og fremstillingen av draperiet sett som representasjon av kvinnen. I 2019 gjorde hun en endring i praksisen fra et virke i motesystemet over i en fri egendefinert praksis.
Anne Karine Thorbjørnsen er utdannet klesdesigner på bachelor- og masterstudie fra Central Saint Martins i London, og startet sin praksis etter endt utdanning i 2012. Hun har hatt utstillinger på Center for Style (Melbourne) 2013, Diorama (Oslo) 2016, Amaze (Stockholm) 2016, The Community (Paris) 2017 og Salgshallen 2020. Arbeidene hennes er kjøpt inn av Nasjonalmuseet og Buskerud Kunstsenter, i tillegg til private samlinger.
